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"Krall sounds most at home in the great American songbook, and you'll find plenty of gems here by Cole Porter, Rodgers & Hart, Irving Berlin and Johnny Mercer. But ther are come real suprises and discoveries as well, such as Krall' hypnotic take on "Sway" by Norman Gimbel, Pablo Rodriguez and Luis Molina. With its unhurried pace, it's the longest cur on the album, and maybe the longest cut on any of Krall's previous albums. It doesn't feel like it, though, as the orchestra lulls the listener into a state of sun-drenched bliss."